Ondřej Vavrečka and Michal Cáb's collection of clots is an endless "film" created with the help of a slide projector with a carousel and four independent looped sound sources. The slides are transparent and carry on them a collection of wrinkles that the author has collected over the last few years from sweaters, belly buttons, sweeping floors and corners of drawers. And the sound is a smudge of words that need to be written to get rid of the crumbs in one's head. So it's a hygiene "film".
Ondřej Vavrečka is a filmmaker, musician and visual artist. He uses transversal mythpoetic methods to look at the world and life in it. He mixes the serious with the humorous, the mundane with the sacred, the high with the low. He teaches at the Film and Television Faculty of the Academy of Performing Arts.
Michal Cáb is mainly involved in ____ improvisation, __ programming, sound __. He studied and postgraduate in the studio of Tomas _. In his artistic and ___ practice, he particularly explores _ the use of __ languages and open _ as a fundamental expressive ____ for today's . His tool ____ is the ____ system and the programming language, whose capabilities he uses in both and ____ contexts. He has implemented a number of ____ for theatrical __ and exhibition . He is __ of the open livecoding __ Collective.
Premiéra:
22. 10. 2021, PLATO Ostrava
18. 11. 2021, OC Dornych